Sunday, June 28, 2009
6. Place a finger on the middle and start raising the warp strip working toward the right --over, under, etc. Push the straight edge up to the boundary and touch it with the iron to hold it in position. Then continue to work from the center to the left edge--over, under, etc. Cover this row with your paper and iron selectively to tack everything down.
7. Cut the next wavey weft. Lay it on the warp and match up the fabric pattern with the previous row. It should match exactly. Again place a finger on the middle and weave this row right up against the previous row working to the right and then to the left. Again cover your work with paper and tack down.
8. Repeat with the rest of the weft, leaving no gaps between rows. When finished sandwich the whole piece between the papers and iron on both sides to really seal it. Allow to cool. Select the best area of the piece and cut your 8 1/2 x 11 inch rectangle. Enjoy.
1. Select two different colored fabrics. Cut pieces about 10x12 inches.
2. Iron each piece to some paper backed fusing. I use the stuff that comes in a ten yard roll at a big box store and costs about $1/yd.
3. Peel the paper off the fabric when it's cool. Save the paper to use one as a pressing cloth and the other as an ironing board protector.
4. Lay the fabric in a landscape orientation. Freehand cut the first piece with vertical wavy lines. Leave about 1/4 inch border at the top to hold all the strips in order and position. Place on top of saved paper.
5. Cut the second (weft) piece one strip at a time. Starting at the top of the first piece, lay the weft strip across.
Had an interesting day in the studio yesterday. Besides some remarkable customers, I finished two backgrounds for my fiber art journal project. These are 8 1/2 by 11 inches.
I stacked two pieces of this fabric and wove them to get this
Here's another background where I used two completely different fabrics
Tuesday, June 23, 2009
Sunday, June 21, 2009
It's a generous queen size that sat in a UFO stack for two years. In order to celebrate Independence Day, I finished it. Now I need to figure out how to take a good picture of it. A couple of tall friends would help. It feels great to have a finished product. I should do this more often. On to the next UFO.
Friday, June 19, 2009
A very weathered Hoosier cabinet top is angled across another corner. It sits on a repurposed kitchen cabinet base that I attached heavy casters to and filled with eight storage tubs.
The table in the foreground is another cabinet base on wheels covered with an old brown enamel countertop. It also holds eight storage tubs of various sizes. This table is used for cutting and assembly.
These pictures show my quilting studio in our restored building on Main St. known as the Art & Antique Gallery. I have an 18x20 foot room on the second floor adjoining my mom's apartment. This corner shows my two thread cabinets and part of my design wall. The cluttered table in the foreground is a 4x4 cabinet on wheels that my sewing machine and serger call home.
I received a 60 inch 30 yard bolt of PFD Kona cotton from Dharma about a week ago. I can't wait to cut into it. Where to start? That's what I'm daydreaming about. Finished a large patriotic colored quilt binding yesterday.
Growing up in the fifties I learned crochet from my grandmother, sewing from my mother, and knitting from a neighbor.
In the sixties I got my degree in psychology and education, married, worked as counselor and disability specialist for social security. I did macrame, hairpin lace and broomstick lace on my noon breaks.
In the seventies, I put my husband through dental school and we took classes in weaving, spinning, and dyeing. He built several looms and spinning wheels for me. We moved to a very small town in rural South Dakota where we raised two kids and had angora rabbits for 4-H projects. I pulled hats out of rabbits, gave piano lessons, collected antiques at farm sales, demonstrated pioneer crafts and continued to sew.
In the eighties, I returned to full time work as an activity coordinator in a 71 bed nursing home. I became a certified master gardener in order to provide a more natural environment for my residents and to involve them in projects that they had enjoyed at home. I used my music, art, counseling, and crafting as if I had been preparing for this job my entire life.
Through the nineties I learned batik and silk painting and studied garment construction with hand wovens. I took drawing lessons and saw my kids off to college. My brother and his wife, Judy, retired from the Air Force and moved close to us. Judy has enjoyed a long career as a potter and visual artist and she needed a studio to pursue her interests.
In 1999 we bought a hundred year old brick building on main street and opened the Art and Antique Gallery as an empty nest project. She was the art. I was the antique. We gutted, restored, painted, and polished and our building is now on the National Register of Historic Places. We had a gallery and a studio. Judy also taught classes and did custom framing and matting. We mentored several youngsters and provided a meeting place for area artists. My mom asked us to build her an apartment in the second floor above the studio. She moved in several years ago and we love having her as an integral part of our lives and our business. At 85 she still enjoys quilting and visiting our studio.
With the millennium, I read "The Artist's Way" by Julia Cameron and started journaling. I wrote a "bucket list" and traveled to Italy, Greece, France, and England. My brother and I studied lampworking and put a bead bench in the studio where we made soft glass and borosilicate beads in several styles. I began designing jewelry and studying textile techniques in sterling wire. In 2007 I happened to visit the International Quilt Show in Houston and spent 5 days haunting the aisles of vendors and exhibits. The journal quilting project was a revelation of biblical proportions to me. Here was a foremat which could encompass all my interests.
As I look to the future, I am accumulating electronic equipment (a Bernina Artista with embroidery module, a laptop, and a printer/scanner) I have another studio for these tools in my family room at home. My shared studio with Judy has become more of a painting, framing, classroom, library and lampwork studio. I have furnished another room on the second floor next to my mom's apartment for my fabric, thread and my antique sewing equipment collection.
The collections of my life have become an educational vehicle. Now I use my trunks and suitcases to present programs to small groups. Topics can vary from aprons to underwear, vintage needwork and lace, Lewis & Clark, trade beads, feed sacks, hats, shoes, jewelry, pioneer crafts, post cards, building restoration, silk dyeing techniques, sewing and fiber arts, to name just a few.
With the advent of hi speed internet, I am able to network with other artists who share my interests and I continue to learn something new everyday. I view my work at the nursing home as a religious calling. It includes helping people who are like family with end-of-life issues and providing a stimulating social environment for them. I get to use my art to bring pleasure to others. It is a beautiful life.